Dawoon Park



24. 06. – 26. 06. 2022

SUB TEI Berlin, Germany


Microcosmos: Temporal Spaces and
Uncertain Memories

01. 07. - 03. 07. 2022
Kunstraum Potsdamer Straße, Berlin, Germany



Moonage Daydream

Spirit of Kitchen


Face Value

Scenery Between-Window 3

Scenery Between-Window 2
Scenery Between-Window 1

Unstable Mask

Buddha of Capitalism

Waste Does Not Communicate

Skipping Hierarchy

The Self Captured in Absolute Black



About / Contact / Instagram

Dawoon Park

Dawoon Park is a media artist and researcher born in South Korea and currently based in Germany. She studied Visual Communication Design in Seoul and New Media in Berlin. She is keen to work at the intersection of visual art, theory and practice. Her recent research focuses on the analysis of the hybrid spaces in between nature and culture and social relations of networks made up of human-nonhuman being and things. It takes the form of texts, performances, film and installations. Medium and materials are carefully selected according to the context of the philosophy and media theory on top of which her practice is grounded. Digital technology and electronic components make up a core part of her work.


About / Contact / Instagram

Scenery Between-Windows 3 

Queen Elizabeth II is featured on more banknotes in more countries than any other individual. The pervasiveness of a country's representative figure implicitly projects economic hegemony in international relations that has been formulated from the last centuries. The digital economical hegemony still under the lasting influence of legacy from the past is shaped by streamlined sharing of data. Internet users themselves multiply copies of their facial images and become influencers who play a pivotal role in encouraging decentralized economical geography in the network.

The 20-pound note made of polymer has a transparent window printed with Queen Elizabeth. Through the window, the audience gets a sneak peek at the generative image behind the portrait of her in a straight line. The machine trained the similarity between a dataset of the faces from a total of 317 banknotes and the other of the faces of randomly selected Internet users. It exposes the fact that the function of the face has been transformed from representative of national brand and indicator of dominant relations between countries into being data capital as such.